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"I'm Gonna Explode" An unhappy girl and a troubled boy meet in detention in their high school in a suburb of Mexico City, and before you can shout "Holy Nouvelle Vague, Batman!" they're running away on a dreamy days-long adventure together, having found their perfect co-conspirator...
Posted to
Indieville
by
IFC.com - Indie Eye
on
Wed, Oct 15 2008
Filed under:
Filed under: Festivals, Reviews, NYFF 2008, Arnaud Desplechin, Tokyo Story, Night and Day, Sergei Dvortsevoy, I'm Gonna Explode, Hong Sang-soo, Tulpan, Lucrecia Martel, The Headless Woman, A Christmas Tale, Kiyoshi Kurosawa
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You're not supposed to take to Poppy right off the bat. She rides through London in her wildly colored outfit over the opening credits grinning so cheerily that at any moment a chorus of animated forest creatures threatens to leap out and provide backup as she burst into song. She pops into a bookstore...
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When Wong Kar-wai's lone attempt at a martial arts film, "Ashes of Time," first came out in 1994, it was considered by most to be awfully pretty and mystifyingly elliptical. "Redux" finds it restored, re-edited, seven minutes shorter, with feverishly heightened colors and dramatic...
Posted to
Indieville
by
IFC.com - Indie Eye
on
Thu, Oct 9 2008
Filed under:
Filed under: Festivals, Wong Kar-Wai, Reviews, NYFF 2008, Ashes of Time Redux, Ashes of Time, Brigitte Lin, Jacky Cheung, Maggie Cheung, Christopher Doyle, Leslie Leung
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Mickey Rourke is one magnificent wreck. "The Wrestler" holds off from giving you the full-frontal of his face for a while, as if he were the monster in a low-budget horror flick. When it does finally creep around, you see misplaced tautness, semi-mobile features, starlet lips, an overall impression...
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"The Class," Laurent Cantet's very fine film about an academic year in a life of a teacher and his students at an inner city Parisian middle school, gets its structure and its strength from limitations. The camera doesn't wander outside of the walls of the school; it seldom leaves the...
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I hope someone out there is proclaiming Jaime Rosales' "Bullet in the Head" a masterpiece of experimental filmmaking that forces you to reconsider narrative's place and importance in film and such and such. There is something likable about its daring, and it's exactly the kind of...
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Interesting that at a festival that celebrates visceral cinematic shocks -- the over-the-top splatter of "Tokyo Gore Police" and the "we dare you to walk out" boundary pushing of "Martyrs" and "Deadgirl" -- the two most disturbing films I saw weren't horror...
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Like "American Movie" and "Billy the Kid," Sean Donnelly's "I Think We're Alone Now" makes you squirm at its relationships with its subjects and its audience. I wouldn't say that, as a documentary, it's unethical, but it does focus on two people who suffer...
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Centering your film on the tragedy of being famous is a iffy proposition -- it's not a topic to which the majority of the world will relate, and from any normal and honest perspective, the benefits of celebrity far outweigh any downsides. But director Mabrouk El Mechri has as his star the Muscles...
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Paprika Steen, the Danish actress best known for her roles in Dogme films like "Festen," "The Idiots" and "Mifune," is to die for in Ole Bornedal's horror-comedy "The Substitute." Like, she eats someone whole. She plays the forbiddingly named Ulla Harms, a...
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There was an episode of "The Maury Povich Show" in which people confessed to serious but laughable phobias -- birds, pickles, balloons -- after which, for scientific purposes, you understand, a PA would come out and confront them with their object of terror. As I watched a housewife be chased...
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There's incredible (and welcome) cultural whiplash in sneaking away from the middle of the determinedly highbrow New York Film Festival to head to Austin for Fantastic Fest, an event that's most certainly not. Dedicated to horror, sci-fi, fantasy, cult and general genre fare, Fantastic Fest is...