Ever hear someone talk about a theater actor “playing to the back row?” Last night, playing to the back row only reached the front row on Broadway.
Almost exactly three months after having visited Mel Brooks’ new musical of an old movie, Young Frankenstein, in Seattle, we returned to the show on Broadway to see what changes had or had not been made. Expectations were that there would be minimal adjusting, given that a few who have seen it in both venues indicated that Mr. Brooks, Mr. Meehan (his co-writer on the book), and director Susan Stroman had not changed much from Seattle. More striking were the pans of the show coming from various corners of erudite New York.
The rough reality is… the critics are not insane or recklessly brutal. The show, which I thought was at about 80%/85% in Seattle has actually been improved in some areas. But what critics in NY could not have known, having not been to Seattle, is that the problem with Young Frankenstein is not so much the show… it’s the theater.
The rest...
Read the complete post at http://www.mcnblogs.com/thehotblog/archives/2007/11/the_theater_ate.html