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What's the best-shot movie of the last decade, according to cinematographers?

The American Society of Cinematographers has issued a poll settling definitively, once and for all (ha!) what the best-shot film of 1998-2008 was. The non-controversial answer: "Amélie," shot by Bruno Delbonnel. It's a bit of a bizarre choice, but one representative of the list as a whole, which tends to favor artificial color palettes (often computer-tweaked), virtuoso long takes and other strong assertions of of visual personality. Nothing wrong with that, of course -- it's easier...

Animators who have made the live-action leap.

It's a pleasant surprise to see that Brad Bird is being considered as a possible director for "Mission Impossible IV," a game of musical chairs that is said to include "Zombieland"'s Ruben Fleischer and Edgar Wright. Of course, "The Iron Giant" director has never helmed a live-action feature before, though that shouldn't be a stumbling block if the action choreography in "The Incredibles" is any indication. (Bird's already had been working on...

Falling in line with "The Company Men."

Reviewed at the 2010 Sundance Film Festival. While a variety of films from "Up in the Air" to "The International" have found an icy beauty in the clean lines and empty spaces of modern corporate life, there's a strange, quiet pall cast over the blank offices and boardrooms that make up the landscape of "The Company Men." That antiseptic aesthetic reaches into the narrative as well: Though writer/director John Wells' film is ostensibly about downsizing at a large...