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Christopher Walken, unhinged and looking for his hand.

Several characters in Martin McDonagh's "A Behanding in Spokane" spend a good portion of the play handcuffed to the walls, cowering in fear at the feet of Carmichael, a terrifyingly deranged man desperately in search of the hand he lost 47 years earlier. This image also works as a handy metaphor of what it must be like to share a stage with the man who plays Carmichael, the delightfully deranged Christopher Walken. There's not a whole lot you can do but speak when spoken to, stay...